I played actually Pokémon Red for Gameboy, the original if you remember. So being a martial artist of course I watched Dragonball Z! I was really big into that show and Pokémon, how could you not? I feel so fortunate to get to be part of that universe. I approach a lot of the characters differently than a lot of my counterparts.ĭar: As a child of the 90’s, is it safe to assume growing up you were a fan of anime and cartoons? I feel like a lot of actors might not have that background.
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It taught me how to approach things in a different way, tackle problems, and go up against these kinds of challenges.
But I haven’t actually applied it to anything specifically. Papenbrook: You know, I have my degree from UCLA and it’s a beautiful decoration up on my wall. Let’s give it a shot.” And I haven’t looked back.ĭar: Don’t suppose you’ve been able to apply that political science background into any of your current work? Was just about to take the LSAT and I booked a job. I actually went to UCLA and studied political science and philosophy. I thought to myself there was no way I’d let myself do that. I watched my parents, as I grew up, be working actors. On one of his sessions they said, “We need a kid’s voice.” And my dad said, “He’s a kid! Throw him into the booth!” And that’s how I got thrown in there and became a voice actor. They had a bunch of the rubber monster suits lining the stairs up to the booth. There was a studio in Valencia and I used to love to go to work with him. He played Rito Revolto, the skeleton dude. Papenbrook: It was actually because of my dad that I got started in the industry. Rito Revoltoĭar: You grew up with both of your parents voiceover professionals, so I’m curious what kind of guidance they imparted as you were making your way into the industry? I love making those cheesy puns as much as possible so we sneak as many into the show as possible. I feel like we try to make the English version of the show “punniest” out of all of them. Every episode there’s a baddie in the city that gets akumatized and then Cat Noir and Miraculous Ladybug have to fight them. I think it’s really caught the anime fandom because it’s very reminiscent of Sailor Moon. I also think it’s gone beyond a show that’s for young girls. Having a young daughter, I’m definitely supportive of a strong female superhero. As the voice of Cat Noir and a father of a young girl yourself, what’s been your reaction to show’s success and in your opinion why do you think it has such wide appeal?īryce Papenbrook: Miraculous is a great show. Go to any convention and you’re pretty much guaranteed to see a Ladybug or Cat Noir cosplayer. Taimur Dar: The last few years has seen an explosion of fandom for Zag’s Miraculous Ladybug and Cat Noir animated show. Learn more about the life and times of Bryce Papenbrook as well as his new venture Unlocked, a streaming network app that aims to better connect fans with beloved industry professionals, in our conversation. It seems like Papenbrook was always destined to be an entertainer. Surprisingly, as I learned while sitting down with him during a one-on-one interview at Anime NYC, his original intended career path was a far cry from the entertainment industry.
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As the son of Bob Papenbrook and Debbie Rothstein, two prominent voiceover professionals, he has certainly come into his own as a voiceover professional appearing in some of the most popular properties in the last decade such as Sword Art Online, Attack on Titan, and Miraculous Ladybug and Cat Noir. I’m very tempted to say that Bryce Papenbrook has voice acting in his blood.
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